New York City is seeing a lot more of me these days. I’ve been walking its streets more and more frequently. My photographer’s eye can’t get enough of it but my heart and soul still belong to Paris…
Here are a few pics from my trip earlier this month:
From Grand Central…
Reading upside down in the subway…
To a windy day on Broadway…
Light and Shadow in the Oculus at the World Trade Center…
All photographs shot with the Fujifilm X100F
April has been a busy month so far! After teaching two consecutive workshops in Paris early in the month (a week-long workshop followed by a weekend), I had just enough time to fly back to the States to be home for a short week before it was time to fly across the atlantic again to teach in Amsterdam. I’m back in the States now and ready to fly to New York City next week. That’s a lot of air miles, but more importantly, a lot of miles walking with my Fuji teaching what I love to do…
Many memories later and some goods laughs shared with new friends, here are a few of my favorite pics from Paris and Amsterdam.
Thank you for visiting! Please leave a comment below 🙂
I resist more and more the term ‘street photographer’. I am a photographer. I do not limit my lens to people, never have and never will. I see life photographically and that makes me happy.
I just returned from a trip to Quintana Roo, on the Yucatàn Peninsula of Mexico. It wasn’t a photography trip (more on that in this post), but I always had my camera with me. When it’s winter and you live in a snowy state, any splash of color is a welcome sight. Here are some of the colors that grabbed my eye on the streets of Tulum and on Isla Mujeres last week.
More pics coming soon!
I am spending almost as much time in New York as I am in Paris these days. Both cities are always a good idea and I could never get enough of them.
I was in the Big Apple again in February to speak at the first ever Fujilove LIVE conference. The event was a big success and a lot of fun. I had very little time to roam the streets with my camera but I took every opportunity that presented itself.
Here are a few snapshots of my wanderings, a glance into the extraordinary life of ordinary people.
Some Black & White…
And some Classic Chrome…
Thanks for visiting!
...Love is all we need.
A short video of a collection of photographs depicting love on the streets.
Thank you for visiting, please don’t forget to leave a comment. And, in case you missed it, visit also my new blog Random Thoughts
As you may remember, I started a Q&A blog a few years ago. Because I answer your questions on my podcast, I decided to revamp the blog and turn it into a blog of random thoughts. I just published the first post. If you enjoy my writing, you can read it here: Random Thoughts 001: Refocussing Feel free to subscribe if you enjoy it.
Of course I will continue to share photographs here, so don’t go anywhere!
Thanks again for your continued support.
Street photography is more than beautiful light and shadows. It’s a glimpse into the life of ordinary people. An expression or a gesture that tells the story of everyday life.
Yes, as you know, I love photographing a beautiful silhouette or a person walking through a shaft of light in the perfect step, but those images are much less challenging or rewarding than capturing a really special expression or gesture. Both are still a depiction of everyday life, the first is more giving, while it is much more difficult to see and appreciate the second. The rate of success in capturing the uniqueness of everyday life in a compelling photograph is also much lower.
The slice of life forever frozen in time, in all its simplicity, is what street photography means to me in its purest form. I am the happiest when I capture a moment of the human condition, whether it is love, sadness, the struggles of aging or anything in between. The challenge is to learn to recognize the moment that will make the strongest possible photograph. It can be as subtle as the position of a hand on a railing, the loneliness in a woman’s eyes or men adjusting they reading glasses.
I hope this makes sense. Here is a selection of photographs to help illustrate the point I am trying to convey, because a photograph is worth a thousand words.
All shot with either the Fujifilm X100S, T or F at 23mm 🙂
Thank you for visiting. Please share your thoughts in the comments!
CAUTION: This is not a product review!
I’ve had the privilege to be one of the Beta testers of the recently announced Fujifilm X100F since November. I don’t write reviews, it’s not my style. But there are many good product reviews out there by some of my X Photographer friends. Guys tend to geek out with new gear, I don’t 😉 I can recommend this review from my good friend and former workshop student Ian Mac Donald, a fellow Fujifilm X Photographer in Canada.
The problem with Beta testing is that you can only use the gear ‘in secret’ until the product is announced so I wasn’t able to travel with it much. Thankfully, the X100F was announced the day before my Paris workshop started last week so it accompanied me on the streets of Paris for a few days.
As you know, I was a Fujifilm photographer well before I became an official ambassador in 2015. My love affair with the x100 series started with the S. It was the best camera I had ever owned (previously a Canon 5D Mark II shooter). The X100T surpassed it and, Fujifilm made an even greater product with the X100F. I’m more in love with it than ever!
What makes this camera so special? From my personal experience, it has become an extension of my vision. I don’t even have to think about it, it’s so intuitive that it almost feels like a part of me. The latest version is very impressive. Here are some of the features that I particularly enjoy: The faster auto focus, the added Acros film simulation, the focus joystick, the faster minimum shutter speed in auto ISO, the longer-lasting batteries. It also has the much sought after 24.3 mp X-Trans CMOS III sensor. The improved ISO ceiling of 12,800 (vs. 6,400 on the X100T) wasn’t a big deal for me but some people may find that useful. There is a boatload of other new features that I have yet to use. Remember, this is not a review, only my honest opinion.
So the question is: Should you get this camera? As long as you keep in mind that the only way a new camera will make you a better photographer is if it takes you out to shoot more, then YES! And this may well be the camera that is going to take you on more photo walks because it will also become an extension of you.
Conclusion of my findings: This is one sweet piece of gear. I loved its predecessors but you will find that the jump in improvements from the T to the F is much bigger than it was from the S to the T. The X100F is very noticeably faster and better and I couldn’t be more proud to have had the privilege to be one of the first photographers to experience its magic.
Here are a few sample jpegs taken in Paris this month. The color photographs were shot in Classic Chrome, The B&W were shot in Acros film simulation setting. Very little, if anything, was done in LR, slight exposure adjustment if needed, a tiny bit of straightening and a tiny touch of clarity on the B&W. I must have shot as much in color as I did in B&W this time.
Here are a few of the pics I shot with the X100F during my weekend in Paris…
Paris in Classic Chrome…
Paris in Acros…
This fun lifestyle video clip was shot for Fujifilm USA by photojournalist and friend Dustin Scholl in Minneapolis in November
BONNE ANNEE ~ HAPPY NEW YEAR!
2016 was a very, very busy year for me. It was also a very exciting one!
I taught 10 photo workshops in 4 different countries.
I had a solo gallery show at the beautiful Mpls Photo Center. Watch the opening reception video here.
I recorded and aired a podcast episode each week. I left Street Focus on the TWiP network and launched a new podcast under my own brand Hit The Streets with Valerie Jardin without even missing a single week!
Fujifilm USA sent me on a few speaking assignments across the country as an official Fujifilm X-Photographer. I was also a speaker at a few photo conferences.
I wrote and published an ebook which, I’m proud to say, turned out to be a big hit.
I signed a contact with a publisher in New York for a “real” print book to be published in the Fall of 2017. As I am writing this, I am only a few days away from the publisher’s deadline and adding the finishing touches to the manuscript. I will be very happy when it’s off my hands and I can kick off the 2017 photography workshops in Paris in January 🙂
2017 is shaping up to be another busy year, with new exciting photographic adventures.
Living your dream is the hardest thing you’ll ever do, but also the most gratifying.
Here is a selection of some of my favorite shots of 2016 in a 4 minute video format. Enjoy and thank you all for your continued support!
Using a special effect lens is always a great exercise in creativity. I love the extra challenge. Seeing the resulting photographs on the computer screen after the photo shoot is always a bit like opening a present. The Lensbaby Velvet 56 offers a new way of seeing and forces the photographer to let go of the notion of sharpness. The fun is in the experimentation with different levels of soft focus depending on the chosen aperture.
These photographs where taken on December 11 at The Landing, a historic village south of Minneapolis composed of authentic buildings designed to recreate 19th century life in the prairie. The buildings were all moved from various locations throughout the state. During the visit, re-enactors welcome the visitors into their ‘homes’ and talk about the hardship of life in the prairie during the winter months. For a few hours you travel from 1850 to the turn of the century, immersed in a different time period. Lucky for me, the snow storm had kept the crowds away that Sunday afternoon and I was able to collect quite a few images without ‘non historical’ people in the background.
I had never used the lens in low light situations and it was really difficult to know how the pictures would turn out from looking at the LCD on the back of the camera. I had to trust my instinct and hope for a few keepers. I was using the Fujifilm XPro2 in Acros and Classic Chrome film simulation bracketing. After a few shots, I knew that I would use the Classic Chrome, it was the perfect combination with the lens and subject matter.
I had so much fun exploring each building in search of adequate window light and interesting details of everyday life from the past. The actors were so authentic and so passionate about the time period they were reliving, I grabbed a few shots of them while they were talking with the visitors. Santa was as close to the real deal as one could ever imagine, and he took his role very seriously.
The challenge of manual focussing added another level of difficulty to the low light situation inside the buildings. I was very impressed with the performance of the lens. I don’t think one can ever master it completely. There will always be an element of surprise in the photographs it produces and that may just be the biggest appeal of the Lensbaby. The anticipation is somewhat reminiscent of shooting film.
Overall I am quite pleased with the results. The lens was the perfect companion for my time travel adventure. I can’t wait to use it again in a different era.
Wishing you all a warm Holiday Season from snowy Minnesota! Please leave a comment below.